Tangible Tips to Improve the Quality of Your Product Photography

Today’s news flash is that the bulk of product photography is 80% science, 20% art. And on an average day, it’s far higher. Of course, if your company requires you to produce pictures of $20,000 watches, that single remarkable shot, which took two days to acquire with two helpers, is all creative.

However, the focus for in-house photography studios is almost entirely scientific. Studio setup, production, processes, automation, equipment, resources, and software are important considerations in product photography.

The product photography motto is a great way to answer the question: 

What are your future goals?

How will I be more efficient?

How can I increase the number of goods I shoot in a day?

To consistently generate high-quality pictures, what approaches may I use?

Which equipment is available to me?

Is there any software I can use to automate chores that are repeated frequently?

The product imaging services ideas will help you perform better, make better photos, and generate more on a regular basis. I believe that this post has numerous new approaches and tools that will help you create beautiful photos quickly.

The best way to organise my recommendations is to place them into seven categories:

  • Setting up and organising the project
  • Preparation of products
  • Studio kit
  • A camera with film.
  • Laptop computers
  • Accessories
  • Photography

Let’s have a real conversation with each other.

  • Arrangement
  • Make preparations beforehand
  • A productive studio is managed effectively.

Every day and every week, they know exactly what they are working on. They decide ahead of time on the many photography stations, whether they are little, large, or specialised, as well as their personnel and studio space, product shipping, and other necessities. Creating a regular production schedule will allow you to control the consistency of your image quality and keep your costs in check.

Take two studios and place them next to each other

Ad hoc approaches—the process of arriving at the studio, taking what one finds, and moving on to the following day—are prevalent.

The second stage involves researching and categorising items, scheduling their week and month, organising studios and photographers depending on the product category and needed abilities, and capturing images of products. They proceed systematically, picking items one at a time according to the procedure.

I will place a wager on the production quality and image quality of the second studio clearly outpacing the first studio. Put a plan in place, and you and your bosses will thank you. Know your image perspectives beforehand so you may be prepared when you start shooting. Using this technique, it is possible to organise items into groups based on the number of images views each one requires. Since varied viewpoints necessitate different camera and lighting setups, this is crucial. Reducing time spent making changes to your equipment is always a good idea.

Group your items according to their required views e.g. the ones that need close-ups and top/bottom views are grouped together. This will take time, but you will benefit much in the long term. Group everything into groups based on weight and size. Apples, peaches, nectarines, and plums all range in size and weight, and require a various studio, lighting, and camera setups. In addition, they require various resources such as lightweight items, which can be photographed by a photographer alone, as well as big and bulky things, which require an additional person on hand.

To save time, categorise your items based on their size and weight

Plan ahead, grouping your items by size and weight to keep things organised. In this article, I present a few outlier items, each of which is quite distinct in terms of weight, size, perspectives, and photographs. As is clearly seen above, these products need to be sorted into groups. The muffler kit was heavy, big, and very difficult to install. The culinary product, Craker Barrel crackers, is only 2 inches long, weighs almost nothing, and is extremely simple to arrange on a table to take a picture of.

Manage the systematic design of products

Moving items from receiving to preparation to photographing to waiting for picture approval to returning is a definition of product photography. Moving the production line smoothly and methodically from stage to stage is critical. You will notice that if your product flow is not well-organized. There are no limits on how many times you may use the same product. Moving in your studio will be tough since it will be crowded. It will be difficult to identify the specific goods you require, for example for reshoots. I advise you to devise an effective product distribution process that incorporates the following:

Reducing the use of handling

There is plenty of room to roam about the studio.  The goods you need are simple to locate. An orderly studio is wonderful; an unorganised studio is a living nightmare. Keep a studio tidy. In product photography, dirt, dust, and debris are classified as evil when grouped together as the three Ds. A costly piece of equipment might be easily destroyed and production time could be lost as a result. If dirt appears on lenses or sensors, it might lead to needless retakes and even reshoots. Dealing with the issue at hand is that many corporate in-house studios are located in filthy and dusty locations, such as warehouses and distribution facilities. 

These are a few things you can do to keep your work area clean:

Settle the studio near where the products are situated to cut down on the time spent travelling to the location. You must situate the studio away from the facility traffic in order to be in the primary area. Regular studio cleaning is always required. Keep your photographic equipment well maintained.

A cable management system should be implemented

This is an ongoing challenge in every studio: cabling from cameras, lights, computer systems, power bars, and other equipment is strewn about. The difficulty of moving about the studio without falling over cables or continually changing the cables makes it challenging to work in the studio. Using cable management solutions whenever feasible helps arrange the cables. Cable and equipment rack to the photographic table. Place the photographic table near power outlets to cut down on cable clutter. Work in the best conditions you can—a comfortable, easy-to-move workspace allows for more productivity and a more pleasant work atmosphere.

Create some breathing room for yourself

Cluttered photography studios are a familiar place for everyone who works in photography. Doing your job is 50% of your daily routine since the majority of your time is spent moving things and products around so you can perform your job. It’s not uncommon for people to collide with lighting and camera stands, trip over everything, bend their bodies in order to layout merchandise on the table, and then twist around to see the computer screen. Spacing is one of the finest strategies to help you feel better when you are frustrated.